The large version can hold a tree as tall as 12 feet with a trunk as wide as seven inches. The wide pan reservoir makes getting in under the branches to top off the tree’s water supply easier than it is with most other stands. Plus, it kind of looks like the Christmas tree stand an elf would carry around with him, in case that’s the vibe you’re going for.
That being said, this NTC tree was even easier to set up than the Best Choice Products tree. It was so easy, in fact, that two people could set it up in under 45 minutes. The hinged branches literally fell into place as soon as we snapped the the three sections of the tree together. Then we did some fluffing and it was ready to go! As mentioned, this tree also left our arms a little bit scratched up after the fluffing process.
“This is a beautiful tree! When you first receive it, you might be worried that it’s too sparse, but it is packed very well, so you must take the time to fluff out each branch. Once we put the lights and ornaments on it, there were no open spaces to see between the branches. I liked that it was not as wide at the bottom as our previous tree. It took up less space width-wise and used fewer ornaments, but still has a very full look. It also doesn’t shed.”
^ The Christmas Tree: published by Darton and Clark, London. "The ceremony of the Christmas tree, so well known throughout Germany, bids fair to be welcomed among us, with the other festivities of the season, especially now the Queen, within her own little circle, has set the fashion, by introducing it on the Christmas Eve in her own regal palace." Book review of The Christmas Tree from the Weekly Chronicle, 14 December 1844, quoted in an advert headlined "A new pleasure for Christmas" in The Times, 23 December 1844, p. 8.
^ Stookey, Laurence Hull (1 December 2011). Calendar: Christ's Time for the Church. Abingdon Press. p. 107. ISBN 9781426728044. Beyond that the term "Chrismon" is used loosely to refer to symbols related to Christ, including the orb, crown, fish, star, anchor, and a wide variety of forms on the cross. All of these, often made in materials of gold and white, are used on a pine or fir tree in place of the more usual multicolored ornaments used on trees at home. Lights are also usually of clear glass rather than being colored.
Next, we consulted review sites like Wirecutter and cultivation sites like New York Magazine to get a more well-rounded view of the trees on the market. And finally, we browsed home decorating sites like Good Housekeeping to see which artificial trees they liked best. From there, we charted all of the trees and their specs (like height and material) to compare and contrast which ones were best.
Water Basin: To keep your tree hydrated throughout the holiday season, look for Christmas tree stands that can hold the recommended amount of water your tree needs. Trees that are 6 feet tall require about a gallon of water a day, while taller trees need around 1.5 to 1.75 gallons a day. Be sure to water your tree every day. A dry Christmas tree is a major fire hazard. Plus, not watering your Christmas tree will cause it to shed its pine needles and lose its brilliance.
Customers rave about the product’s sturdy base and easy mounting. Based on the design, they state it’s easy to rotate the trunk as well if need be. They also claim that this stand works particularly well on larger trees with a wide base. One reviewer even claimed, “This is by-far the best stand I've ever used.” Since many of the commenters have been using the product for years, the longevity of the product simply goes unstated.
A couple things that stopped this tree from being number one? The branch tips on this tree start relatively far from the center pole, meaning that from certain angles, you risk seeing a lot of bare metal hinges. Though, if you plan to decorate the tree with lights and ornaments, this becomes less of a problem. The branches also extend very low to the ground, which means it’s hard to slide sizeable presents underneath.
Melendez had previously worked for Warner Bros. and Disney, and working on Peanuts-related material gave him a chance to animate a truly flat cartoon design. The movement of Schulz's characters, particularly the Peanuts gang, was very limited. The character of Snoopy, however, proved the exception to the rule. "He can do anything – move and dance – and he's very easy to animate," said Melendez.
In many areas, it has become customary to set up one's Christmas tree at the beginning of the Advent season. Some families in the U.S. and Canada will put up a Christmas tree a week prior to American Thanksgiving (the fourth Thursday of November), and Christmas decorations can show up even earlier in retail stores, often the day after Halloween (31 October). In Canada many families wait until after Remembrance Day, as to show respect to fallen soldiers. Some households do not put up the tree until the second week of December, and leave it up until 6 January (Epiphany). In Germany, traditionally the tree is put up on 24 December and taken down on 7 January, though many start one or two weeks earlier, and in Roman Catholic homes the tree may be kept until February 2 (Candlemas).[why?]
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With this in mind, the trio set out to cast the characters, which proved to be a daunting process. Casting for Charlie Brown proved most difficult, as it required both good acting skills but also the ability to appear nonchalant. The producers picked eight-year-old Peter Robbins, already known for his roles spanning television, film, and advertisements. His godmother, famous Hollywood agent Hazel McMillen, discovered Christopher Shea, who would become Linus in the special. His slight lisp, according to Mendelson, gave him a "youthful sweetness," while his emotional script reading "gave him power and authority as well." Tracy Stratford played the role of Lucy, with the creators being impressed by her attitude and professionalism. Kathy Steinberg was the youngest of the performers, just six years old at the time of recording. Too young to read, the producers had to give her one line at a time to recite. Robbins remembered Melendez did this for him as well, joking that he also mistakenly copied his Latino accent. Mendelson desired to have non-actors (not "Hollywood kids") perform on the special, and he sent tape recorders home with his employees for their children to audition.
After writing the original version of this guide in fall 2016, we carefully disassembled and packed our pick at the time—a very similar National Tree model, the PEDD1-312LD-75X—in its original box and shipped it to Los Angeles for long-term use. After the long journey (in which the tree was jostled enough that it arrived with its top spike and branches sticking out of a corner of the box), it sat on a garage shelf for about 10 months, enduring temperatures over 100 degrees and gathering a little dust and grit without any plastic seal around the box or the contents. (Yes, we fell short of following our own advice on storage.)
Animation for A Charlie Brown Christmas was created by Bill Melendez Productions. Mendelson had no idea whether or not completing a half-hour's worth of animation would be possible given the production's six-month schedule, but Melendez confirmed its feasibility. In actuality, animation was only completed in the final four months of production. CBS initially wanted an hour's worth of animation, but Melendez talked them down to a half-hour special, believing an hour of television animation was too much. Having never worked on a half-hour special before, Melendez phoned Bill Hanna of Hanna-Barbera for advice, but Hanna declined to give any. CBS gave a budget of $76,000 to produce the show and it went $20,000 over budget. The first step in creating the animation was to make a pencil drawing, afterwards inking and painting the drawing onto a cel. The cel was then placed onto a painted background. There are 13,000 drawings in the special, with 12 frames per second to create the illusion of movement.
Potential customers who have never actually seen one of our fresh holiday wreaths might find it helpful to know that the entire process of creating, decorating and shipping each fresh Christmas wreath is performed on our farm, thus enabling us to perform quality inspections from start to finish. We also handcraft cedar garland, holiday centerpieces, Christmas door swags and other decorative fresh evergreens. We do our best to take product pictures that help exemplify the quality of our beautiful live Christmas wreaths, but when it comes down to it you're going to have to buy one of our live wreaths to get a full understanding of how impressive our live Christmas wreaths really are!
The soundtrack to A Charlie Brown Christmas is an unorthodox mix of traditional Christmas music and jazz. The jazz portions were created by the Vince Guaraldi Trio. Producer Lee Mendelson, a fan of jazz, heard Guaraldi's crossover hit "Cast Your Fate to the Wind" on the radio not long after completion of his documentary Charlie Brown & Charles Schulz, and contacted the musician to produce music for the special. Guaraldi composed the music for the project, creating an entire piece, "Linus and Lucy," to serve as the theme. When Coca-Cola commissioned A Charlie Brown Christmas in spring 1965, Guaraldi returned to write the music. The first instrumentals for the special were recorded by Guaraldi at Glendale, California's Whitney Studio with bassist Monty Budwig and drummer Colin Bailey. Recycling "Linus and Lucy" from the earlier special, Guaraldi completed two new originals for the special, "Skating", and "Christmas Time Is Here". In the weeks preceding the premiere, Mendelson encountered trouble finding a lyricist for Guaraldi's instrumental intro, and penned "Christmas Time is Here" in "about 15 minutes" on the backside of an envelope.
When they get to the lot, filled with numerous trees fitting Lucy's description, Charlie Brown ironically and symbolically chooses the only real tree there (in disbelief that wooden Christmas trees still exist)—a tiny sapling. Linus is unsure about Charlie Brown's choice, but Charlie Brown is convinced that all it needs is some decoration and it will be just right. While those two get the tree, Schroeder tries to pass off "Für Elise" as a Christmas song, as Lucy tries to get him to play the perfect rendition of "Jingle Bells;" after two failed attempts, Schroeder tersely pecks the keys on his toy piano, which is exactly what Lucy seeks.