Treetopia proudly showcases our selection of high-quality green artificial Christmas trees. From our traditional full-profile trees to slim pencil trees and whimsical upside down trees, our collection of pre-lit artificial Christmas trees are designed to fit your look and space on any budget. For classic artificial Christmas trees with a modern twist, choose Treetopia!
For a cheery retro look, start with a grapevine wreath (we painted ours white) and hot-glue classic round Christmas ornaments in a single color but different shades and sizes. When gluing, adhere the balls to both the wreath and one another for extra hold. Although this wreath makes a big statement, it's lightweight enough to be hung from a stick-on hook.
Holiday wreaths are true signs of the season. A beautiful Christmas wreath always brightens a gorgeous home and makes guests feel at home for the holidays. Here, our editors share their ideas for how to choose and use festive Christmas wreaths to decorate your home for the holidays. Whether on your front door, windows, or inside your home, Christmas wreaths can be traditional or modern; they can be evergreen, succulent, or anything in between. For a sense of drama, you’ll see how to hang two wreaths, three wreaths, or even hang a Christmas wreath in front of a mirror. The Southern Living editors even suggest that you consider the shape of your Christmas wreath—you may want to choose an unusual shape. From squares to a Tree Form Wreath to one constructed from snowy pinecones, your Christmas wreaths can reflect your creativity and inspiration. Simply think of the splendor of the holiday, and let your Christmas wreath reflect the joy in your heart.
This lightweight plastic stand weighs less than 3 pounds and holds trunks up to 7 inches. You’ll need two people to install your tree—and occasionally you’ll have to pick the tree up a second time in order to slam it back down into the stand with enough force to get the spikes in the base to dig into the trunk—but you can’t beat the price. The reservoir holds two gallons, so you might even be able to skip a day of watering with this thing.
The re-boxed artificial tree of this size is heavy (over 50 pounds), difficult to fit on most shelves, and has a volume comparable to a tank-style water heater. But if you have ample storage space, you don’t have to keep a tree in its original box. Rather, Gurino said, keeping it covered and dry is the main thing. You can separate the sections and flatten the branches as compactly as you can, or keep it whole; just don’t store it somewhere it’ll be trampled or moved a lot. Do cover it with a light plastic painter’s tarp or an old sheet to keep the dust off, or buy a tree bag. And a climate-controlled space (converted basement, storage closet) is always preferable to an attic or garage.
The giving of Christmas trees has also often been associated with the end of hostilities. After the signing of the Armistice in 1918 the city of Manchester sent a tree, and £500 to buy chocolate and cakes, for the children of the much-bombarded town of Lille in northern France. In some cases the trees represent special commemorative gifts, such as in Trafalgar Square in London, where the City of Oslo, Norway presents a tree to the people of London as a token of appreciation for the British support of Norwegian resistance during the Second World War; in Boston, where the tree is a gift from the province of Nova Scotia, in thanks for rapid deployment of supplies and rescuers to the 1917 ammunition ship explosion that leveled the city of Halifax; and in Newcastle upon Tyne, where the main civic Christmas tree is an annual gift from the city of Bergen, in thanks for the part played by soldiers from Newcastle in liberating Bergen from Nazi occupation. Norway also annually gifts a Christmas tree to Washington, D.C. as a symbol of friendship between Norway and the US and as an expression of gratitude from Norway for the help received from the US during World War II.
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Animation for A Charlie Brown Christmas was created by Bill Melendez Productions. Mendelson had no idea whether or not completing a half-hour's worth of animation would be possible given the production's six-month schedule, but Melendez confirmed its feasibility. In actuality, animation was only completed in the final four months of production. CBS initially wanted an hour's worth of animation, but Melendez talked them down to a half-hour special, believing an hour of television animation was too much. Having never worked on a half-hour special before, Melendez phoned Bill Hanna of Hanna-Barbera for advice, but Hanna declined to give any. CBS gave a budget of $76,000 to produce the show and it went $20,000 over budget. The first step in creating the animation was to make a pencil drawing, afterwards inking and painting the drawing onto a cel. The cel was then placed onto a painted background. There are 13,000 drawings in the special, with 12 frames per second to create the illusion of movement.
This revolving metal tree stand provides a convenient This revolving metal tree stand provides a convenient way to easily move your tree. It is for use with 7.5 ft. to 8 ft. tall artificial trees with 1.25 in. Dia center poles. This stand features sturdy steel construction and folds flat for convenient storage. All 4 wheels include locks ... More + Product Details Close
The John Wright company produced the L.L. Bean Heirloom Christmas tree stand so the frame is entirely made of cast iron. While this tree stand felt nigh indestructible, it didn't hold onto our Christmas tree well. On a side note, some consumers may take issue with the cast iron construction. It weighs around 20 pounds. Not an insurmountable weight, but enough that we wouldn't want to lug it in and out of the attic every Christmas.
Peanuts had become a phenomenon worldwide by the mid-1960s, and the special was commissioned and sponsored by The Coca-Cola Company. It was written over a period of several weeks, and animated on a shoestring budget in only six months. In casting the characters, the producers went an unconventional route, hiring child actors. The program's soundtrack was similarly unorthodox: it features a jazz score by pianist Vince Guaraldi. Its absence of a laugh track (a staple in US television animation in this period), in addition to its tone, pacing, music, and animation, led both the producers and network to predict the project would be a disaster preceding its broadcast.