Once you’ve purchased and assembled your artificial tree, you must fluff it. “Fluffing” is an (admittedly adorable) term for arranging all of the branches on the tree. It may seem like an imposing prospect but, in reality, it just requires a few simple steps repeated over and over again. This is a good time to bribe friends and family members to help you. We think a couple of hours of fluffing in return for some homemade hot chocolate is a good offer.
The soundtrack for the special was recorded during these sessions, with decisions regarding timing and phrasing determined quickly. Guaraldi brought in bassist Fred Marshall and drummer Jerry Granelli to record the music, and spent time later re-recording earlier tracks, including covers of "The Christmas Song" and "Greensleeves." The eventual LP release credited Guaraldi solely, neglecting to mention the other musicians; Guaraldi was notorious for never keeping records of his session players. Nearly three decades later, in an effort to correct the matter, Fantasy surmised that the recordings with Budwig and Bailey were employed in the special, while Marshall and Granelli recorded the album. Despite this, other individuals have come forward claiming to have recorded the special's music: bassists Eugene Firth and Al Obidinski, and drummers Paul Distel and Benny Barth. Firth and Distil are noted as performers on a studio-session report Guaraldi filed for the American Federation of Musicians.
Wirecutter has been researching and testing Christmas tree stands since 2012. In that time, we’ve thoroughly vetted more than 35 stands and done hands-on testing with five. We’ve also read everything we can about Christmas tree stands, from a comparison in the The Wall Street Journal (subscription required) to a Christmas-themed blog called Miss Bee’s Christmas Tree (although not a professional reviewer, Miss Bee is pretty serious about tree stands). We’ve also scoured user reviews on the websites of several major retailers and perused a variety of “best of” lists (most of which, alas, rely mainly on those same websites, with little, if any, testing.)
A Charlie Brown Christmas became a Christmas staple in the United States for several decades afterward. Within the scope of future Peanuts specials, it established their style, combining thoughtful themes, jazzy scores, and simple animation. It also, according to author Charles Solomon, established the half-hour animated special as a television tradition, inspiring the creation of numerous others, including How the Grinch Stole Christmas! (1966) and Frosty the Snowman (1969). (Earlier animated specials such as Mr. Magoo's Christmas Carol and Rudolph the Red-Nosed Reindeer ran a full hour.) USA Today summarized the program's appeal upon its 40th anniversary in 2005: "Scholars of pop culture say that shining through the program's skeletal plot is the quirky and sophisticated genius that fueled the phenomenal popularity of Schulz's work." Beyond its references to religion, unheard of on television at the time, the special also marked the first time children voiced animated characters.
The 30" round Christmas Tree Mat is composed of two non-woven fiber materials separated by a patented barrier media. It is lightweight and can be easily cleaned. It is designed to protect hardwood and carpeted floors from spilled live tree stand water and resulting stains as well as hardwood scratches associated with a trimmed tree during the holidays. Can be used with live or artificial trees.
A Charlie Brown Christmas was completed just ten days shy of its national broadcast premiere. All involved believed the special would be an unmitigated disaster. Melendez first saw the completed animation at a showing in a theater in the days before its premiere, turning to his crew of animators and remarking, "My golly, we've killed it." Melendez was embarrassed, but one of the animators, Ed Levitt, was more positive regarding the special, telling him it was "the best special [he'll] ever make [...] This show is going to run for a hundred years." Mendelson was similar in his assumptions of the show's quality, and when he showed the film to network executives in New York, their opinions were also negative. Their complaints included the show's slow pace, the music not fitting, and the animation too simple. "I really believed, if it hadn't been scheduled for the following week, there's no way they were gonna broadcast that show," Mendelson later said. Executives had invited television critic Richard Burgheim of Time to view the special, and debated as to whether showing it to him would be a good idea. His review, printed the following week, was positive, praising the special as unpretentious and writing that "A Charlie Brown Christmas is one children's special this season that bears repeating."